Trial
Title | Duration | Price | ||
---|---|---|---|---|
1 | I Wish I Knew (How It Would Feel To Be Free) aac: 16bit/44.1kHz (320kbps ABR) | 02:52 | N/A | |
2 | Get Out Of My Life Woman aac: 16bit/44.1kHz (320kbps ABR) | 03:22 | N/A | |
3 | Meet Me In Church aac: 16bit/44.1kHz (320kbps ABR) | 03:34 | N/A | |
4 | By The Time I Get To Phoenix aac: 16bit/44.1kHz (320kbps ABR) | 02:58 | N/A | |
5 | Then You Can Tell Me Goodbye aac: 16bit/44.1kHz (320kbps ABR) | 03:04 | N/A | |
6 | What'd I Say aac: 16bit/44.1kHz (320kbps ABR) | 04:49 | N/A | |
7 | Since I Met You Baby aac: 16bit/44.1kHz (320kbps ABR) | 03:45 | N/A | |
8 | Save It aac: 16bit/44.1kHz (320kbps ABR) | 02:23 | N/A | |
9 | Shame On Me aac: 16bit/44.1kHz (320kbps ABR) | 03:33 | N/A | |
10 | Why, Why, Why aac: 16bit/44.1kHz (320kbps ABR) | 02:26 | N/A | |
I Wish I Knew (How It Would Feel to Be Free) -- O.A.R. (320kbps ABR) | - | N/A | ||
Get Out of My Life Woman -- O.A.R. (320kbps ABR) | - | N/A | ||
Meet Me in Church -- O.A.R. (320kbps ABR) | - | N/A | ||
By the Time I Get to Phoenix -- O.A.R. (320kbps ABR) | - | N/A | ||
I Wish I Knew (How It Would Feel to Be Free) -- O.A.R. (320kbps ABR) | - | N/A | ||
What'd I Say -- O.A.R. (320kbps ABR) | - | N/A | ||
Since I Met You Baby -- O.A.R. (320kbps ABR) | - | N/A | ||
Save It -- O.A.R. (320kbps ABR) | - | N/A | ||
Shame on Me -- O.A.R. (320kbps ABR) | - | N/A | ||
Why, Why, Why -- O.A.R. (320kbps ABR) | - | N/A | ||
I Wish I Knew (How It Would Feel to Be Free) (320kbps ABR) | - | N/A | ||
Get Out of My Life Woman (320kbps ABR) | - | N/A | ||
Meet Me in Church (320kbps ABR) | - | N/A | ||
By the Time I Get to Phoenix (320kbps ABR) | - | N/A | ||
Then You Can Tell Me Goodbye (320kbps ABR) | - | N/A | ||
What'd I Say (320kbps ABR) | - | N/A | ||
Since I Met You Baby (320kbps ABR) | - | N/A | ||
Save It (320kbps ABR) | - | N/A | ||
Shame on Me (320kbps ABR) | - | N/A | ||
Why, Why, Why (320kbps ABR) | - | N/A | ||
Then You Can Tell Me Goodbye -- O.A.R. (320kbps ABR) | - | N/A | ||
Get Out of My Life Woman -- O.A.R. (320kbps ABR) | - | N/A | ||
Meet Me in Church -- O.A.R. (320kbps ABR) | - | N/A | ||
By the Time I Get to Phoenix -- O.A.R. (320kbps ABR) | - | N/A | ||
Then You Can Tell Me Goodbye -- O.A.R. (320kbps ABR) | - | N/A | ||
What'd I Say -- O.A.R. (320kbps ABR) | - | N/A | ||
Since I Met You Baby -- O.A.R. (320kbps ABR) | - | N/A | ||
Save It -- O.A.R. (320kbps ABR) | - | N/A | ||
Shame on Me -- O.A.R. (320kbps ABR) | - | N/A | ||
Why, Why, Why -- O.A.R. (320kbps ABR) | - | N/A | ||
1 | I Wish I Knew (How It Would Feel to Be Free) (320kbps ABR) | 02:50 | N/A | |
2 | Get Out of My Life Woman (320kbps ABR) | 03:18 | N/A | |
3 | Meet Me in Church (320kbps ABR) | 03:33 | N/A | |
4 | By the Time I Get to Phoenix (320kbps ABR) | 02:50 | N/A | |
5 | Then You Can Tell Me Goodbye (320kbps ABR) | 03:10 | N/A | |
6 | What'd I Say (320kbps ABR) | 04:45 | N/A | |
7 | Since I Met You Baby (320kbps ABR) | 03:42 | N/A | |
8 | Save It (320kbps ABR) | 02:25 | N/A | |
9 | Shame on Me (320kbps ABR) | 02:30 | N/A | |
10 | Why, Why, Why (320kbps ABR) | 02:35 | N/A | |
1 | I Wish I Knew (How It Would Feel to Be Free) aac: 16bit/44.1kHz (320kbps ABR) | 02:52 | N/A | |
2 | Get Out of My Life Woman aac: 16bit/44.1kHz (320kbps ABR) | 03:22 | N/A | |
3 | Meet Me in Church aac: 16bit/44.1kHz (320kbps ABR) | 03:34 | N/A | |
4 | By the Time I Get to Phoenix aac: 16bit/44.1kHz (320kbps ABR) | 02:58 | N/A | |
5 | Then You Can Tell Me Goodbye aac: 16bit/44.1kHz (320kbps ABR) | 03:04 | N/A | |
6 | What'd I Say aac: 16bit/44.1kHz (320kbps ABR) | 04:49 | N/A | |
7 | Since I Met You Baby aac: 16bit/44.1kHz (320kbps ABR) | 03:45 | N/A | |
8 | Save It aac: 16bit/44.1kHz (320kbps ABR) | 02:23 | N/A | |
9 | Shame on Me aac: 16bit/44.1kHz (320kbps ABR) | 03:33 | N/A | |
10 | Why, Why, Why aac: 16bit/44.1kHz (320kbps ABR) | 02:26 | N/A |
Digital Catalog
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2017年、設立70周年を迎えるアメリカの<ATALNTIC RECORDS>が誇るソウル、リズム&ブルースを中心に50's~70'sのクラシックな楽曲を、ヒップホップ・クルー、KANDYTOWNに所属するDJ MASATO、Minnesotahが選曲したATLANTICの重鎮、Ray Charlesから始まり、往年のソウルの名曲群やHIP HOPでサンプリングの定番として使用される楽曲なども織り交ぜながら、ビギナーからヘビーリスナーまで幅広くリスナーに向けたオフィシャルMIX
33 tracks
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Digital Catalog
View More Digital Catalog Collapse
2017年、設立70周年を迎えるアメリカの<ATALNTIC RECORDS>が誇るソウル、リズム&ブルースを中心に50's~70'sのクラシックな楽曲を、ヒップホップ・クルー、KANDYTOWNに所属するDJ MASATO、Minnesotahが選曲したATLANTICの重鎮、Ray Charlesから始まり、往年のソウルの名曲群やHIP HOPでサンプリングの定番として使用される楽曲なども織り交ぜながら、ビギナーからヘビーリスナーまで幅広くリスナーに向けたオフィシャルMIX
33 tracks
Collapse